'Metanoia', which spans time and borders with composers such as Giacomo Puccini, Arvo Pärt, Alexander Borodin, Johann Sebastian Bach, Heitor Villa-Lobos, and Ennio Morricone, is steeped in this concept: Whether it was Puccini, who wrote only one sacred work because he was instructed by the Almighty God to write for the stage, Bach, whose remarkable ability to create transcendence through the use of the simplest of elements, or Pärt, whose ten-year creative crisis gave rise to a highly original musical language.